Law & Order: Original Flavour
I do love me some Classic L&O. I love the reassuring CHUN-CHUNNN! of procedural justice. I love the eternally cresting wave of Jerry Orbach’s hair. I love S. Epatha Merkerson’s pursed-lips, arms-folded Get Shit Done look and Sam Waterston’s nearly sentient eyebrows. The plots can be formulaic, but I find that strangely soothing (uh oh – the DA’s case has broken down over legal minutiae! Guess the detectives will have to go back and re-examine the evidence from a different angle! And…commercial break). I like the accessible way the storylines explore the ambiguities of the legal system. I can watch L&O:OF for hours on end and not get bored. Long may it reign.
However…
Law & Order: Special Ratings Unit
Otherwise known as Law & Order: Extra Rapey. In a word: sigh. I will admit that I do often watch it. But…SIGH. This show is such an obvious attempt to cash in on the success of L&O:OF by boosting the sensationalism (Rapists and Incest and Paedos – oh my!) and focusing more on the personal lives of the detectives. On paper this sounds fine: I’m always up for a storyline involving bigamist cult leaders, boo-yeah! BUT. The series falls down on three points: 1) Mariska Hargitay, 2) Christopher Meloni, and 3) Ice T.
1) Mariska Hargitay. I’ve read good reviews of Hargitay’s performance as Olivia Benson, but to be honest, I find her a great big meh. She has her Hard-Ass Detective Voice, and her Breathy Sympathy Voice (for use on Victims of Trauma), and that’s it. And judging by her range of facial expressions, I think she may have fallen head-first into a vat of Botox. (Mee-YOW! It’s like I’m channelling a drag queen!)
2) Christopher Meloni. Elliot Stabler is supposed to be a ‘loose cannon’ – an ex-[army something] tough guy who has a tendency to THINK WITH HIS FISTS. Rrr! He is also a troubled family man who tends to emotionally identify young victims with his own children, and….zzzzzZZZZZZZZ. Sorry, I was just lulled to sleep there for a second by the soothing drone of all those clichés flocking together. Christopher Meloni conveys the barely-contained intensity of his character by…squinting. And clenching his jaw. A lot. Ho hum.
3) Ice T. I used to sort of fancy Ice T, when he was fronting Body Count. But I fear he has expanded his repertoire beyond the limits of his talents. He delivers every single line in the exact same Pimp-Ass Mofo monotone. Whatever he’s supposed to be saying (“I’ll check his phone records and see if anything jumps out”), his tone of voice says “I’m on pop a cap in yo ass.” I’ve seen more emotive range from a waffle iron.
SIGH.
Law & Order: Criminal Intent
Can’t be bothered to watch it. If there’s nothing else on, I’ll sort of half pay attention to Vincent D’Onofrio doing his weird Ode to Columbo (“Oh – just one more thing…”), but the show has never really caught my attention. I might watch now that Jeff Goldblum has signed on though. I’ve always been fond of his overbite.
Here’s another new collage. This one is based on the Frog Prince fairy tale…

The frog answered, “I do not care for your clothes, your pearls and jewels, nor for your golden crown, but if you will love me and let me be your companion and play-fellow, and sit by you at your little table, and eat off your little golden plate, and drink out of your little cup, and sleep in your little bed – if you will promise me this I will go down below, and bring you your golden ball up again.” (Read the story here)